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Objects, sculptures and drawings sometimes reach from the projection screen into space, expanding the experience of his pictorial world and reality. The exhibition spaces, the installation of the video works in the space in combination with other elements of his artistic work, also play an important role. Many speak from beyond the grave, and even those still alive are paralyzed—functioning or malfunctioning within their world, but unable to act. While repetition of modular visual elements has always been central to the economy of animation, this labor-reducing device is typically meant to go unnoticed. Jakob Schillinger, Sternberg Press,

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His visual world often plays with language, and writing functions as a way to connect the different aspects to this practice.

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While repetition of modular visual elements has always been central to the economy of animation, this labor-reducing device is typically meant to go unnoticed. It is, however, not a literary practice. The objects he produces and his works on paper often seem like snapshots from his short stories, portraying similar personnel in analogous constellations, settings, and scenes. The exhibition spaces, the installation of the video works in the space in combination with other elements of his artistic work, also play an important role. Rather, it could be seen as a postliterary investigation of media, production, subjecthood, and objecthood at the current moment—an enterprise that produces alternately comical and heart-wrenching effects. His visual world often plays with language, and writing functions as a way to connect the different aspects to this practice.

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